It shall have a detector patch point allowing for the connection of an external equalizer in the detector loop to produce frequency selective limiting; or allows the connection of an external microphone source to produce voice-over-compression. It shall have front panel mounted switches for engaging/defeating the compressor/limiter functions. It shall have front panel switches for selecting input or output meter display. It shall have both XLR and 1/4” connectors on inputs and outputs. Performan

It shall have a detector patch point allowing for the connection of an external equalizer in the detector loop to produce frequency selective limiting; or allows the connection of an external microphone source to produce voice-over-compression. It shall have front panel mounted switches for engaging/defeating the compressor/limiter functions. It shall have front panel switches for selecting input or output meter display. It shall have both XLR and 1/4” connectors on inputs and outputs. Performan

This safety margin is known as headroom, and may range from 10 to 25 dB. Lowering our standard operating level to leave ourselves some headroom helps prevent distortion, but at the same time it moves our average program level closer to the noise floor, thereby compromising signal-to-noise performance. It becomes apparent that to get the most out of an audio system, you have to keep your standard operating level as high as possible without risking distortion. CLIPPING Significant Distortion Occ

INC. TABLE OF CONTEMTS Introduction..................................................2 If You Are In A Hurry.....................................2 Mechanical Installation.................................3 Wiring............................................................3 Stereo Tie, Detector Patch, Alternatives for Sound System Installations Controls And Indicators...............................5 Gain, Ratio, Attack Time, Release Time, Output Level, Bypass Switch, Threshold/Gain Reduction

At this point, the system should be well into feedback, but the room volume will remain constant due to the action of the limiter. You can listen to the feedback at any level you like by simply varying the CL-50E’s OUTPUT volume control, although below a certain monitoring level, the feedback will stop. 4. Try to determine the feedback frequency, and then equalize it by adjusting the center frequency, bandwidth, and boost/cut controls of your parametric equalizer. (Note: a graphic equalizer can

When peaks exceed this ceiling, gain is reduced to keep peaks within specified limits. The amount of reduction, how fast reduction takes place, and the speed at which levels are returned to normal are all precise and independent adjustments. This makes the SC-50 extremely useful for loudspeaker protection, broadcast limiting or compression, tape to disc transfer, special effects, vocal level control and musical instrument sustain. FEATURES: • Extremely low noise and distortion • Detector patc