TABLE OF CONTENTS SECTION 1 Controls, Indicators & Connectors PAGE 1 SECTION 2 Introduction 6 SECTION 3 Initial Recording (Cutting Original Tracks) 7 SECTION 4 Sync Recording (Overdubbing) 11 SECTION 5 Mixdown (Remixing) 13 SECTION 6 Combining Tracks (Ping-Pong) 15 SECTION 7 Stereo Recording 17 SECTION 8 Inserts (Punch-ln Recording) 21 SECTION 9 Interface Details 22 SECTION 10 Cleaning and Demagnetization 24 SECTION 11 BLOCK DIAGRAM 26 SECTION 12 Specifications 27 SAFETY INSTRUCT

Location * Avoid using the DE-1 in the following locations: * Locations of extreme low or high temperatures, or extreme changes in temperature. * Locations with excessive moisture or dust. * Locations where direct sunlight falls for an extended time, or near a stove or other source of heat. * Locations where electrical voltage varies. * Unstable locations or where there is heavy vibration. * Near strong magnetic fields (on top of a television or speaker). 3 DE-1 Owner’s Manual Digital Effect Fun

This supplementary manual only describes the operations and notes regarding the save/load functions of song data using a CD-RW drive. See "Chapter 6 Save/Load of song data" on the main manual about details for save/load using SCSI, S/P DIF and adat. Please read this first! Please read this first! Check by either of the following methods the model number and manufacturer of CD-R/RW drives which we confirmed the SAVE/LOAD operation of song data. With a CD-R/RW drive other

However, there is also a way to record all tracks with one input jack. You can do this by exchanging a recorded track that was recorded normally with an unrecorded track. This procedure is called “Track Exchange”. This feature is convenient to use when recording with all G and H [INPUT] jacks that can be connected with a condenser mic or balanced output, for example. Note that the VF160EX comes with 16 tracks, plus 8 additional tracks. The Track Exchange feature makes it possible to exchange the

17.Gain control knob [LINE-MIC] Adjust the gain for best S/N ratio. The output signal level from the sound sources (mic, keyboard, guitar, etc.) should be set in such a way that the output of the source should be neither too high or low. The difference can be corrected with the gain control. < Gain control rule of thumb > The gain is adjusted by rotating the [LINE-MIC] knob while watching the lighting condition of the level meter LED as the signal is input. Gain of "MIC" is obtained at full CW r