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manual abstract
push the Shuffle/Flam Key twice, so that FLAM appears in the Display. Each time the Shuffle/Flam Key is pressed the TR-626 alternates between SHUFFLE and FLAM in the Display, i Roland TPI-eæ While holding down, push twice № Currently set values appear in the Display. 50 Applications Step 2 While holding Keeping the Shift Key pressed, set the flflm interve! by pressing the Main Keys (9 to 13). Flam interval 0 12 3 4 Higher values make longer intervals.(At "O’, no flain cffecl is obtained.) 51 Applications f. Shuffle The shuffle cfiect adds a bounce, or lilt, that can be discerned in actual performance even if the intervals on ihc musical scorc are the same. When shuffle is set to any value other than 0, the steps of even number will lag slightly, to creating this cffcct. SCALE J J J J PATTERN • • • • STEP 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Shuffle : Shuffle : 3 • J3 n & <> JJ n The steps in even Unchanged order numbers are moved backward Step 1 While pressing the Shift Key, push the Shuffle/Flam Key once, so that SHUFFLE appears in the Display, Each time the Shuffle/Flam Key is pressed the TR-626 alternates between SHUFFLE and FLAM in the Display. While holding n u SHUFFLE Currently set values appear in the Display Applications Step 2 While holding Without releasing the Shift Key. set the desired shuffle by pressing the Main Keys (9 to 13). Shuffle can be set at one of five positions, from 0 to 4. for cach pattern. The higher the value, the stronger the bounce. At 0. there is no cifcct. *The shuffle effect cannot be added to triplet scales. 53 Applications . Functions to use while track writing . Delete Any numbers of rhythm patterns written in tracks can be deleted at a time. Step 1 Call the first bar that you would like to delete. (See p.62.) Step 2 Press and hold the Shift Key while all of the following instructions are carried out in the order written here : press the Delete Key (Main Key 13), then assign the number (with the Main Keys 1 to 10) of the final bar to be deleted, and finally push the Enter Key. *To delete to the last bar, push the Last Measure Kev instead of specifying the number of the final bar. *To delete a single bar only, press the Delete Key as in step 2 and then push the Enter Key. Example of deleting operation {Deleting the 21st to 24ih bars} 121st bar is called (Bar designation) l Deleting operation [deleting up to 24th bar) JlC * OC c \7 Applications {When every bar from 25th bar onward are to be deleted) CDCall 25th bar □ \7 ¿.Delete up to the final bar 3 V; Ir» s 56 Applications (Inserting pattern A-1 to A-4 into the third bar position) l Call the third bar \7 2 Select the rhythm pattern J Inserting operation you would like to insert (A-1 to A-4) □ to 5 Push simultaneously 57 Applications c. Copying bars A siring of bars which have already been written into a track can be copied onto another part of the same track. This is especially convenient when you would like to use an unbroken group of bars several times. Step 1 Designate the number of the first bar to which you would like to insert the copy of the string. (See p.62) Step 2 Press and hold the Shift Key while you carry out the following instructions in the following order : push the Copy Key (Main Key 11), the number of the first bar to be copied (with the Main Keys 1 to 10), the Enter Key, the number of the final bar to be copied (with the Main Keys 1 to 10). and then the Enter Key again. *lt is impossible to copy a string of bars to on« of the bars within that string. For example, you cannot insert the Sth to 10th bars to a place beginning at the 9th bar. *Do not copy bars from one track to another. *When you attempt to copy incorrectly, the following appears in the Display : 58 Applications Copying operation examples I When the contents of the 13th through 16th bars are to be copied to positions beginning I with the 19th b8r CDCall the î9th bar ^.Copying operation ] \7 59 Applications d. Block Writing Within one pattern group a rhythm pattern having an unbroken siring of pa I tern numbers can be programmed as a block. When a rhythm pattern uses several bars f...