MID GAIN HIGH GAIN LOW GAIN MID FREQ. MID GAIN HIGH GAIN INPUT METER OVER -3 -14 -48 PRE POST INPUT METER OVER -3 -14 -48 PRE POST AD IN [1-8] ON OFF ON OFF ON OFF ON OFF BUS C-R METER SELECT Fixed Attenuation -12dB n12 n12 TALKBACK AUX LEVEL LEVEL LEVEL CONTROL ROOM MUTE LEVEL n12 n12 n12 n12 n8 Fixed to pre-fader n12 n8 n8 ON OFF 0 26 [+10dBu~-60dBu] [-60dBu~-16dBu] [-34dBu~+10dBu] [-26dBu~+4dBu] [-40dBV~-10dBV] [-10dBV (UNBAL)] [+0dBu] L (MONO) R L R TALKBACK DAW I/O IEEE1394 TALKBACK DIMMER DIMMER CONTROL DIMMER TALKBACK [+4dBu] [-10dBV] [+4dBu] [-10dBV] [-10dBV] +40dB DAW IN [1] DAW L DAW R 5.1 (L) 5.1 (R) 5.1 (C) 5.1 (LFE) 5.1 (Ls) 5.1 (Rs) DAW IN [2] DAW IN [3] DAW IN [3] (n12 : To INPUT CH[9] n8 : To INPUT CH[5]) DAW IN [4] (n12 : To INPUT CH[10] n8 : To INPUT CH[6]) DAW IN [5] (n12 : To INPUT CH[11] n8 : To INPUT CH[7]) DAW IN [6] (n12 : To INPUT CH[12] n8 : To INPUT CH[8]) DAW IN [1-16] n8 : DAW IN [1-12] DAW OUT [1-16] n8 : DAW OUT [1-12] DAW IN [7-10] (To INPUT CH[1-4]) n12 : DAW IN [11] (To INPUT CH[5]) n8 : DAW AUX L n12 : DAW IN [12] (To INPUT CH[6]) n8 : DAW AUX R n12 : DAW IN [13] (To INPUT CH[7]) n12 : DAW IN [14] (To INPUT CH[8]) DAW AUX L DAW AUX R DAW IN [4] DAW IN [5] DAW IN [6] DAW IN [7] DAW IN [8] DAW IN [9] DAW IN [10] DAW IN [11] DAW IN [12] DAW IN [13] DAW IN [14] DAW IN [15] DAW IN [16] LEVEL +48V (each 4ch) Hi-Z PAD HA A/D D/A ATT ATT ATT. ATT. C - R SOURCE SELECT C - R SPEAKER SELECT D/A D/A D/A D/A D/A D/A D/A D/A D/A D/A D/A D/A D/A n12 n8 2-REC , 2-REVERB , 2-AUX , 1-EFFECT , 16-IEEE1394 IN/OUT 2-REC , 2-REVERB , 2-AUX , 1-EFFECT , 12-IEEE1394 IN/OUT SUM HA A/D SUM HA A/D A/D A/D A/D ON STEREO FADER SOLO LEVEL REC L REC R REC L REC R STEREO L STEREO R STEREO L STEREO L STEREO R AUX R DIMMER AUX L STEREO R AUX L AUX R SOLO L SOLO R COMP 3Band EQ 3Band EQ 3Band EQ A. IN ON CH Fader PAN PAN REC ON CH Fader BAL REC STEREO REV PFL SOLO STEREO REV PFL SOLO STEREO (STEREO L, STEREO R) 2 2 2 2 2 2 6 AUX (AUX L, AUX R) SOLO (SOLO L, SOLO R) 2TR (2TR L, 2TR R) DAW (DAW L, DAW R) DAW DOWNMIX (DAW DOWNMIX L, DAW DOWNMIX R) DAW 5.1 (DAW 5.1 L, DAW 5.1 R, DAW 5.1 C, DAW 5.1 SW, DAW 5.1 Ls, DAW 5.1 Rs) AUX AUX 2TR L 2TR R REVERB TIME DIGITAL EFFECT (REVERB) DAW L DAW R DAW AUX L DAW AUX R DAW DOWNMIX R DAW DOWNMIX L LEVEL LEVEL LEVEL 2TR TO STEREO DAW TO STEREO DAW TO AUX LEVEL TO REC TO STEREO TO AUX DAW INPUT SELECT A. IN DAW A. IN DAW DAW IN [7-14] n8:DAW IN [7-10] DAW IN [3] / [5] DAW IN [4] / [6] DIRECT OUT [1-8] n8:DIRECT OUT [1-4] DAW OUT [1-16] (To DAW I/O) n8:DAW OUT [1-12] DIRECT OUT [9-12] n8:DIRECT OUT [5-8] HPF HPF 80 HPF 80 80 GAIN GAIN [+4dBu (BAL)] [+4dBu (BAL)] [4mW 8ohms] [12mW 40ohms] [4mW 8ohms] [12mW 40ohms] [+4dBu (BAL)] [+4dBu (BAL)] n8:C-R OUT L n8:C-R OUT R [+4dBu (BAL)] [+4dBu (BAL)] [+4dBu (BAL)] C - L/ [5.1] Ls C - R/ [5.1] Rs [+4dBu (BAL)] [+4dBu (BAL)] [-10dBV (UNBAL)] [+4dBu (BAL)] n12 n12 n12 5.1 (L) 5.1 (R) 5.1 (C) 5.1 (LFE) 5.1 (Ls) 5.1 (Rs) DAW 5.1 L DAW 5.1 R DAW 5.1 C DAW 5.1 SW DAW 5.1 Ls DAW 5.1 Rs HPF : 100Hz, -12dB/0ct LPF : 100Hz, -12dB/0ct AMP : +10dB DOWN MIX BASS MANAGEMENT ATT ATT HPF AMP LPF HPF HPF LPF HPF HPF ATT ATT : -3dB ATT n12 ECM *IF " C-R SOURSE SELECT " is selected " 5.1 " , then C-R PHONES outputs DAW DOWNMIX L&R . 16 4 8 REC L REC R STEREO L STEREO R REVERB L REVERB R AUX L AUX R SOLO L SOLO R METER 4 16 16 n12 n8 Fixed to pre-fader Grafico de implementacion MID I YAMAHA [ DIGITAL MIXING STUDIO ] Date :5-Oct-2006 Model n8/12 MIDI Implementation Chart Version :1.0 Function... Transmitted Recognized Remarks Basic Default Channel Changed x x x x DefaultMode Messages Altered x x ************** x x x Note Number : True voice ************** x *1 x *1 xVelocity Note ON Note OFF x x x x After Touch Key's Ch's x x x x Pitch Bend x x Control Change 0-121 x x Prog Change : True # x ************** x x System Exclusive x *1 x *1 Common : Song Pos. : Song Sel. : Tune x x x x x x System Real Time : Clock : Commands x x x x : Reset All Cntrls : All Sound OffAux Messages : Local ON/OFF : All Notes OFF : Active Sense : Reset x x x x x x x x x x x x Notes: *1Used only for the communication with DAW. The MIDI Port is used as an extended port for DAW. EnglishDeutschFrancaisEspanol Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No Owner’s Manual 65 For details of Yamaha Die Einzelheiten representative or the authorized listed below. Niederlassung Yamaha Vertragshandlern Bestimmungslandern For details of Yamaha Die Einzelheiten representative or the authorized listed below. Niederlassung Yamaha Vertragshandlern Bestimmungslandern o el distribuidor autorizado que se NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. de C.V. Calz. Javier Rojo Gomez #1149, Col. Guadal...

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