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9.20.5 Null Format Message Format: BnH 64H 7FH 65H 7F n: MIDI Channel Number Send This message is never sent. Receive Receipt deselects RPN. 9.21 All Sound Off (78H) Format Message Format: BnH 78H 00H n: MIDI Channel Number Send Sent when an SD card is inserted or removed, and when an SD card operation is performed. (PX-830, AP-420) Receive Receipt stops all voices that are sounding. 9.22 Reset All Controllers (79H) Format Message Format: BnH 79H 00H n: MIDI Channel Number Send Sent in the following cases. • When the keyboard channel is changed • When a recorder function is used Receive Receipt initializes each performance controller. 18 10 Mode Messages 10.1 All Notes Off (7BH) Format Message Format: BnH 7BH 00H n: MIDI Channel Number Send Sent in the following cases. • When the keyboard channel is changed • When a recorder function is used Receive Receipt of this message releases the currently sounding voice (same as releasing the keyboard key). 10.2 Omni Off (7CH) Format Message Format: BnH 7CH 00H n: MIDI Channel Number Send This message is never sent. Receive Receipt of this message releases the currently sounding voice (same as releasing the keyboard key). 10.3 Omni On (7DH) Format Message Format: BnH 7DH 00H n: MIDI Channel Number Send This message is never sent. Receive Receipt of this message releases the currently sounding voice (same as releasing the keyboard key). 19 10.4 Mono (7EH) Format Message Format: BnH 7EH 00H n: MIDI Channel Number Send This message is never sent. Receive Receipt of this message stops the currently sounding voice. 10.5 Poly (7FH) Format Message Format: BnH 7FH 00H n: MIDI Channel Number Send This message is never sent. Receive Receipt of this message stops the currently sounding voice. 11 Program Change Format Message Format: CnH ppH n: MIDI Channel Number pp: Program Number Send Sent when a tone is selected. For information about numbers, see the Tone List in the User’s Guide. Receive Receipt changes the tone. The selected tone is determined by the program value of this message and the Bank Select message value received prior to this message. For information about the program number of the actually selected tone, see the Tone List in the User’s Guide. Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information, see “11.1 About Timbre Type” below. 20 11.1 About Timbre Type The tone selected by each part of this Instrument has a “Timbre Type” parameter that specifies the type of sound source for the tone. As explained under “21.1 Basic Parameters”, there are four Timbre Types settings: Melody, LM Piano, Piano, and Drum. The operation for a received channel message differs according to the Timbre Type. • Timbre Type: Melody This Timbre Type is for normal melody tones. The damper pedal performs on/off operations. • Timbre Type: Piano or LM (Linear Morphing) Piano This Timbre Type is for piano tones. The decay rate of the voice being sounded and Acoustic Resonance effect characteristics are continually altered in accordance with the damper pedal position. The method for producing sound in response to the note messages also is different from that of the melody Timbre Type, and operation is optimized for piano. • Timbre Type: Drum This Timbre Type is for drum sounds. The method for producing sound is optimized for drums. The damper pedal and sostenuto pedal do not work for sounds that do not recognize Note Off. The tuning setting also does not affect this Timbre Type. 11.2 DSP Assignments during Tone Selection 11.2.1 DSP Line Structure Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses DSP causes the required number of DSP lines to become reserved so the tone is configured with the requisite DSP. Tones listed under “24.1 Monaural Tone DSP” use only one DSP line, while the tones under “24.2 Stereo Tone DSP” use two DSP lines. For information about tones that use DSP, see “23 Tone with DSP List”. 11.2.2 DSP Line Assignment Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. In this case, the last selected tone with DSP is given priority. Some DSP line(s) already being used will be released so they can be assigned to the newly selected tone. 11.2.3 Use of the Same DSP Line by Multiple Parts When all of the settings below are the same for multiple parts that select tones that use DSP, the same DSP line is assigned to all of the parts in order to maximize DSP line availability. Note, however, that with the PX-830 and AP-420, a DSP cannot be shared simultaneously between parts A01 through B16, and parts C01 through C16. • Tone Number • Part Volume • Part Pan • All DSP parameters After the same DSP line is assigned to different parts as described here, Part Volume, Pan, Reverb Send, Chorus Send, Acoustic Resonance Send, and all DSP parameter settings are common to all parts. Note that changing the settings on any...
Other models in this manual:Musical Instruments - PX-7WE (1.04 mb)