Votes - 2, Average rating: 4
(
)
)
|
Other manuals for this model:
Musical Instruments - MG124CX (1.22 mb)
Musical Instruments - MG124CX (1.57 mb)
manual abstract
In cases where different features need to be described for each model, the MG124CX feature will be described first, followed by the MG124C feature in brackets: MG124CX (MG124C). Channel Control Section 1 MIC Input Jacks (CHs 1 to 4, 5/6, 7/8) These are balanced XLR-type microphone input jacks (1:Ground; 2:Hot; 3:Cold). 2 LINE Input Jacks (CHs 1 to 4) These are balanced TRS phone-jack line inputs (T:Hot; R:Cold; S:Ground). You can connect either balanced or unbalanced phone plugs to these jacks. 3 LINE Input Jacks (CHs 5/6 to 11/12) These are unbalanced phone-jack stereo line inputs. 4 LINE Input Jacks (CHs 9/10, 11/12) These are unbalanced stereo RCA pin jacks. Where an input channel provides both a MIC input jack and a LINE input jack, or a LINE input jack and an RCA pin jack, you can use either jack but not both at the same time. Please connect to only one jack on each channel. 5 INSERT Jacks (CHs 1 to 4) Each of these jacks provides an insert point between the equalizer and fader of the corresponding input channel (CHs 1 to 4). The INSERT jacks can be used to independently connect devices such as graphic equalizers, compressors, or noise filters into the corresponding channels. These are TRS (tip, ring, sleeve) phone jacks that carry both the send and return signal (tip = send/out; ring = return/in; sleeve = ground). Patching external devices via an INSERT jack requires a special insert cable such as illustrated below (insert cable sold separately). 6 GAIN Control Adjusts the input signal level. To achieve the best balance between S/N ratio and dynamic range, adjust the level so that the PEAK indicator 9 lights only occasionally and briefly on the highest input transients. The –60 to –16 scale is the MIC input adjustment range. The –34 to +10 scale is the LINE input adjustment range. ON 1 2 5 6 8 A C D E H I 9 0 7 B F G ON 1 6 A C D E H I 9 0 3 7 B F G ON A C D E H I 0 3 4 B F G Channels 9/10 and 11/12 (Stereo) Channels 1 to 4 (Monaural) Channels 5/6 and 7/8 (Stereo) MG124CX The signal output from the INSERT jacks is reverse-phased. This should not be a problem when connecting to an effect unit, but please be aware of the possibility of phase conflict when connecting to other types of device. NOTE NOTE To the input jack of the external processor To the output jack of the external processor Sleeve Ground) Tip: OUT Tip: IN To the INSERT I/O jack SSleleeevvee ( G(Grorouunndd)) Ring: IN Tip: OUT CAUTION Front & Rear Panels Reference Front & Rear Panels Reference Switch (High Pass Filter) This switch toggles the HPF on or off. To turn the HPF on, press the switch in ( ). The HPF cuts frequencies below 80 Hz (the HPF does not apply to the line inputs of stereo input channels 34). 8COMP Control Adjusts the amount of compression applied to the channel. As the knob is turned to the right the compression ratio increases while the output gain is automatically adjusted accordingly. The result is smoother, more even dynamics because louder signals are attenuated while the overall level is boosted. NOTE Avoid setting the compression too high, as the the higher average output level that results may lead to feedback. 9PEAK Indicator The peak level of the post-EQ signal is detected, and the PEAK indicator lights red when the level reaches 3 dB below clipping. For XLR-equipped stereo input channels (5/6 and 7/8), both the post-EQ and post-mic-amp peak levels are detected, and the indicator lights red if either of these levels reaches 3 dB below clipping. 0Equalizer (HIGH, MID, and LOW) This three-band equalizer adjusts the channel’s high, mid, and low frequency bands. Channels 9/10 and 11/12 have two bands: high and low. Setting the knob to the t position produces a flat response in the corresponding band. Turning the knob to the right boosts the corresponding frequency band, while turning to the left attenuates the band. The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands. Band Type Frequency Maximum Cut/Boost HIGH Shelving 10 kHz ±15 dBMID Peaking 2.5 kHz LOW Shelving 100 Hz AAUX (AUX1) Control Adjusts the level of the signal sent from the channel to the AUX (AUX1) bus. The knob should generally be set close to the t position. On stereo channels, the signals from the L (odd) and R (even) channels are mixed and sent to the AUX (AUX1) bus. NOTE To send the signal to the buses set the ON switch to on ( ). BAUX PRE Switch Selects whether the pre-fader or the post-fader signal is fed to the AUX (AUX1) bus. If the switch is on ( ), the mixer sends the pre-fader signal (the signal immediately prior to the Channel fader I) to the AUX (AUX1) bus, so that AUX (AUX1) output is not affected by the fader. If the switch is off ( ) the mixer sends the post-fader signal to the AUX (AUX1) bus. CEFFECT (AUX2) Controls Adjusts the level of the signal sent from the channel to the EFFECT (AUX2) bus. Note that the signal level sent to the bus is also affected by the Channel fader. On stereo cha...
Other models in this manual:Musical Instruments - MG124C (1.4 mb)