With a setting of 100%, no change will occur. • Bias Use this parameter to apply a uniform change to the velocity. The value you specify will be applied to all of the current velocity values, increasing or decreasing them by the same amount. For example to increase all velocity values by 10, you would specify a value of +10. • Note Range This specifies the range of note numbers whose velocity will be edited. For example if you want to change the velocity of note numbers between C3 and C4, set the left and right values of the Range parameter to “C3” and “C4” respectively. You can also specify these by striking the pads. . The Range parameter is available if you have accessed the CHANGE VELOCITY popup from the SEQUENCE EDIT screen. MV-8800 Owner’s Manual M-192 List of available editing commands Editing the length of the notes (Change Duration) List of available editing commands Editing the length of the notes (Change Duration) This command lets you modify the duration of notes (the length between note-on and note-off). By changing the duration you can make your recorded performance more staccato or tenuto. . For details on all of the parameters and values for the Change Duration command, refer to “CHANGE DURATION popup” (Screen Guide; p. 40). . Parameters to specify • Magnify Use this parameter to decrease or increase differences in duration between notes. With a setting of 100%, no change will occur. Use a setting of 101% or above to make the durations greater, and a setting of 99% or below to make the durations shorter. For example, a setting of 50% would halve the durations, and a setting of 200% would double the durations. • Bias Use this parameter to apply a uniform change to all durations. The value you specify will be applied to all of the current durations, lengthening or shortening them by the same amount. For example to increase all durations by 10, you would specify a value of +10. • Note Range This specifies the range of note numbers whose duration will be changed. For example if you want to change the duration of note numbers between C3 and C4, set the left and right values of the Range parameter to “C3” and “C4” respectively. You can also specify these by striking the pads. . The Note Range parameter is available if you have accessed the CHANGE DURATION popup from the SEQUENCE EDIT screen. 10 Editing MV-8800 Owner’s Manual M-193 List of available editing commands Moving the performance data backward or forward (Shift Timing) List of available editing commands Moving the performance data backward or forward (Shift Timing) This command lets you moving the timing of performance data backward or forward in units of one tick. By shifting the performance data slightly, you can make the performance “rush” or “drag” the beat. . For details on all of the parameters and values for the Shift Timing command, refer to “SHIFT TIMING popup” (Screen Guide; p. 41). . If the Shift Timing command would move data to a point earlier than the beginning of the song / pattern, it will simply be moved to the beginning of the song / pattern. . Parameters to specify • Bias This parameter specifies the amount by which the performance data will be shifted (in units of one tick). For example to move the performance data 10 ticks later in time, you would specify a value of +10. • Note Range This specifies the range of note numbers whose timing will be shifted. For example if you want to shift the timing of note numbers between C3 and C4, set the left and right values of the Range parameter to “C3” and “C4” respectively. You can also specify these by striking the pads. . The Range parameter is available if you have accessed the SHIFT TIMING popup from the SEQUENCE EDIT screen. . If you use the VIEW FILTER popup (Screen Guide; p. 53) to restrict the types of event that will be edited, only the specified type(s) of events will be shifted in time. MV-8800 Owner’s Manual M-194 List of available editing commands Thinning out the performance data (Data Thin) List of available editing commands Thinning out the performance data (Data Thin) Since values for data types such as aftertouch, pitch bend, and expression are recorded continuously, these can produce a large quantity of data. By using the Data Thin command to reduce the amount of data in a way that will not be perceptible, you can conserve memory and lighten the load on the sequencer. . For details on all of the parameters and values of the Data Thin command, refer to “DATA THIN popup” (Screen Guide; p. 42). . Parameters to specify • Value Set this to a higher value if you want to thin out performance data even if it contains sudden changes. Set this to a lower value if you don’t want to apply much thinning to performance data that contains sudden changes. • Time Set this to a higher value if you want to thin out performance data that changes slowly. Set this to a lower value if you don’t want to apply much thinning to performance data that changes slowly. • Note Range This spe...