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resounding bass sounds. If the Tuner function is on, use this to select the string that you’re While faithfully reproducing the inherent sound tuning. of the bass you’ve connected, this also provides SUPER LOW for deeply resounding bass sounds. Additionally, it offers a sufficient amount of clarity, so sounds don’t get buried by the low-frequency content. [SHAPE]Switch: ON The well-defined heavy bass sounds are boosted. Type Description * The product names mentioned in this document are trademarks or registered trademarks of their respective owners. In this manual, these names are used because it is the most practical way of describing the sounds that are simulated using COSM technology. 7. [GAIN] Knob This adjusts the preamp section’s input level. Turning the knob to the right increases the gain. Type Description SUPER FLAT An original amp featuring a wide-range frequency response. This amp type provides faithful reproduction of the connected bass’s own sound. This is a great type for all kinds of connected instrument. [SHAPE] Switch: ON This produces a mild tone with a fat midrange, providing a sound that is perfect for fretless basses, including fretless electric and wood acoustic basses. FLIP TOP Models the Ampeg B-15 (1 x 15”). This amp provided the underpinning for many of the most famous Motown hits. It features a fat sound, while the amp’s compact cabinet produces a distinct contour. [SHAPE] Switch: ON Offers more nuances of your picking expression. B MAN Models the Fender Bassman 100 (4 x 12”). This amp has been a favorite since the inception of electric basses. It features the sonic characteristics of tube amps, whereby increasing the distortion slightly yields a fatter sound. [SHAPE] Switch: ON Offers a tone with boosted midrange fatness. T.E Models the Trace Elliot AH600SMX + 1048 (4 x 10") + 1518 (1 x 15"). This amp was used widely by rock bands in the 1980s. Its wide range, clear attack, and other features make it a great amp for all kinds of performance situations. [SHAPE] Switch: ON Offers more attack. BASS360 Models the acoustic 360 (1 x 18”). This amp was used in the ’70s not only by jazz bassists, but by funk and hard rock players as well. The tone features a warm low end with a midrange that maintains a clear contour, even with finger picking. [SHAPE] Switch: ON Offers more nuances of your picking expression. SESSION Models the SWR SM-400 + Goliath (4 x 10”) + Big Ben (1 x 18”). This tweeter-equipped amp is representative of the “L.A. Sound” of the ’80s. It features a wide-range tone that balances presence in the low end with a clear, open sound. [SHAPE] Switch: ON Offers a tight tone with a cut midrange. CONCERT 810 Models the Ampeg SVT + 810E (8 x 10”). This amp typifies the rock sound that relied heavily on combinations of high-output tube amp sections and large-sized cabinets. The characteristic sound is one of overwhelming low-frequency sound pressure. [SHAPE] Switch: ON Offers extra heavy bottom sound. HINT • Adjust the knob until the value is as high as you can get it without causing the sound to distort. • Using a high gain setting allows you to get an overdrive sound. 8. [VOLUME] Knob Adjusts the overall volume. * This does not work with respect to DI OUT (p. 9). SOLO Function This lets you save the panel settings for sounds you create (such as amp type, gain, equalizer, and various effects) and call them up later. On the CUBE-60XL BASS/CUBE-120XL BASS, this function is called “SOLO.” The SOLO function is handy in situations like these: • When you want to switch the amp type and effect at the same time. • When you want to switch the equalizer settings and volume level at the same time. 9. SOLO [ON/OFF] Switch This saves panel settings and calls up it. 10. [VOLUME] Knob This adjusts the volume level for the called-up settings. * For information on how to use the SOLO function, refer to “Using the SOLO Function” (p. 13). Portugues Italiano DeutschNederlands Espanol Francais English 5 EQUALIZER CUBE-60XL BASS 11. [BASS] Knob Adjusts the tone quality of the lower range. 12. [MIDDLE] Knob Adjusts the tone quality of the midrange. 15. [TREBLE] Knob Adjusts the tone quality of the upper range. CUBE-120XL BASS 11. [BASS] Knob Adjusts the tone quality of the lower range. 13. [LOW-MID] Knob Adjusts the tone quality of the lower midrange. 14. [HIGH-MID] Knob Adjusts the tone quality of the upper midrange. 15. [TREBLE] Knob Adjusts the tone quality of the upper range. EFX 16. [EFX] Knob Turn this knob to CHORUS or POLY OCTAVE to select the corresponding effect. Turn the knob to adjust the amount of effect applied. The ON indicator lights up when EFX is turned on, and goes out when EFX is turned off. You can also turn EFX on and off using optional foot switches. * Graduations for CHORUS and POLY OCTAVE on a panel are for reference. Be sure to check the sound as you adjust the effects. Knob Position Description CHORUS In this effect, a slightly detuned sound is added to the original sound, gi...

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