All Rights Reserved r0611 Page - 2 Operator Manual – KLR Series Amplifiers Important Safety Instructions - 2 Important Safety Instructions Introduction - 3 Consignes de securite a lire attentivement manuel d’instruction et observez les consignes. The KLR Series - 4 This power amplifier can produce dangerous Cet amplificateur de puissance peut produire un Physical Description - 5 output voltage, power and sound pressure voltage et une pression acoustique qui pourrait etre levels. In order to mini

The KLR-Series is made up of powerful, high-efficiency, lightweight amplifiers incorporating the latest technologies. We are confident that you will be pleased with the high performance, superb sound quality, reliability, and more. About Ashly Ashly Audio was founded in 1974 by a group of recording engineers, concert sound professionals, and electronics designers. The first products were elaborate custom consoles for friends and associates, but business quickly spread to new clients and the busi

Each amplifier is shipped (unless otherwise specified) with the following factory settings: Rear panel: On/Off Switch = Off Attenuators = . High Pass Filter(s) = Off Gain Selector = Max Gain Position Mode Selector = Stereo Limiter Switch = Off Before connecting to mains power, make sure that the switches are set to the configuration needed for your particular application. Always switch the amplifier off before making any changes to the settings. Failure to do so could result in damage to the uni

Signal LED not lit Make sure the signal source is operating and try another cable. Check position of Volume Pots. Signal LEDs responding to signal level Check the speaker wiring for breaks. Try another speaker and cable. Protect LED is lit Overheating will cause protective muting. Check for proper ventilation. Check the mode indicators on the back panel and make sure the mode selector on the rear panel is in the stereo position. Make sure other equipment in the signal path such as mixers and pre

In particular, it provides a means of performing the critical first stage of amplification for a wide variety of musical instruments with an absolute minimum of noise and signal loss, has provision for the connection of studio type line-level effects devices, operates with either line-level power amplifiers or musical instrument amps, and includes a direct output with a seperate level control for connection to studio or PA console microphone inputs. Tone control is accomplished using a sophisto